Or even worse, they try to tune using a smartphone application.Ĭlip-on tuners are fine, but they offer a number of drawbacks. When we work with students, most people start out with a clip-on tuner that clips onto the headstock of your guitar. And as mentioned, it’s perfectly suitable for bass guitar as well (more on that later.) Why Use A Tuner Pedal Instead Of A Clip-On? This pedal doesn’t discriminate by genre or guitar. Chris Cornell (Soundgarden / Audioslave).Some notable musicians that use the BOSS TU-3 include:
#BOSS CHROMATIC TUNER PROFESSIONAL#
It is used by professional guitarists and bassists across just about every genre.
The TU-3 has been considered an industry standard for a while now, just like the TU-2 (Boss’ earlier model of this pedal) was before that. So without any further ado, here is our review for the BOSS TU-3 tuner.įirst things first, I would just like to give you a bit of perspective. In this article, we’re going to go over the BOSS TU-3 Chromatic Tuner Stompbox in detail, to help you determine whether or not this pedal is right for you. However, with a number of different tuners available on the market, it can be difficult to decide which one is actually best for you. Tuner pedals are essential, and one of the first pedals that most guitarists should buy – especially if they ever intend to perform on a stage. There's no need to give up one for the other, though.The Boss TU-3 is one of the most popular tuning pedals in existence, and for good reason. Literally the only improvements to be made on the TU-2 were brightening up the display and adding more lights into the spectrum while increasing response time by a few hundred milliseconds. These are essentially the same pedal, with some upgrades for durability and faster response on the TU-3. How does the Boss TU-3 differ from the TU-2? I've even seen players like Tommy Emmanuel use it as an attack remover, quickly engaging it while picking and then disengaging it while rolling the volume knob on his guitar to create a Slow Gear swell-like effect.
On the flip side, if you are switching guitars or need to abruptly stop or just be completely silent during a bandmate's solo, the TU-2 acts as a great mute, giving you a chance to re-check a few strings if needed in the meantime. It disappears when you turn it off, leaving your signal chain mostly unaffected. This is part of the reason why people rely on the TU-2. For one, your guitar signal is usually going to be running through your tuner during the whole show, so it's critical that your tuning pedal doesn't dampen your tone or dirty it with noise. Some people overlook the fact that when you are not tuning your guitar, your tuner still serves a purpose. Anything less than this leaves you somewhat confined in the way tune your guitar. Beyond this, anything else is just unnecessary in a tuning pedal. There is even an option to set a difference reference pitch above or below A 440 (438 - 445 Hz). The TU-2 has an eight octave range and seven modes, for standard guitar and bass frequencies and de-tuned setups down to a whole step below standard. The LEDs oscillate at a rate indicating how close you are to the note, while a clear green light in the center tells you when your job is done for that string. Part of the reason the Boss TU-2 (and its successor the TU-3) appear on nearly every pedalboard you'll see is that it is reliable, accurate and has just enough capability without overcomplicating things. And no tuning pedal is more ubiquitous and vouched for than the Boss TU-2 Chromatic Tuner.
This one simple piece of gear can save tons of time and prevent potential cringe-worthy, audience-scattering performances and yet it is probably the cheapest pedal you'll buy (aside from maybe a well-loved Boss DS-1). If your instrument does use a 1/4" out, you need a tuning pedal. If you play an acoustic instrument with no output jack, you'll want a clip-on tuner like the $3 Reverb Tuner. In fact, if you play any sort of stringed instrument, you need a tuner. What do the guitar player from your local church's praise band and John 5 of Marilyn Manson's band have in common? They both need tuning pedals.
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